Nitro Finish Guitars: Brands That Use Nitrocellulose Lacquer Today

Nitrocellulose lacquer, a type of finish applied to guitars, imparts a characteristic sheen and is believed by many to influence the instrument’s tonal properties. This finish, historically prevalent, allows the wood to breathe more freely compared to thicker, more modern alternatives like polyurethane. As it ages, nitrocellulose can develop a desirable “checking” pattern, enhancing the instrument’s vintage aesthetic.

The choice of finish impacts both the instrument’s appearance and its longevity. While offering visual appeal and potentially contributing to the guitar’s sound, nitrocellulose is more susceptible to scratches and wear than some modern finishes. This fragility is often considered a worthwhile trade-off for the aesthetic and tonal qualities it provides, especially among enthusiasts of vintage instruments.

Several manufacturers utilize nitrocellulose lacquer in their guitar finishing processes. While the specific models and ranges using this finish vary, some brands are particularly known for their commitment to this traditional method. The following sections will explore specific guitar brands known for incorporating nitrocellulose lacquer into their instruments’ finishing.

Selecting Guitars Finished with Nitrocellulose Lacquer

Considerations when selecting an instrument finished with nitrocellulose lacquer are presented below. These tips aim to guide discerning buyers in making informed decisions.

Tip 1: Identify Target Brands. Research brands traditionally associated with nitrocellulose finishes, such as Gibson, Fender (particularly on specific vintage reissues and custom shop models), and Martin (on some acoustic models). Consult manufacturer specifications to confirm the finish type.

Tip 2: Examine the Finish Closely. Inspect the guitar under good lighting. Nitrocellulose finishes tend to be thinner and may exhibit slight imperfections, contributing to their vintage appeal. However, ensure there are no significant flaws that could affect the instrument’s structural integrity.

Tip 3: Assess the Instrument’s Age. Nitrocellulose lacquer ages differently than polyurethane. On older guitars, look for signs of “checking” fine cracks in the finish which are often considered desirable. Understand that this process can also make the finish more delicate.

Tip 4: Consider the Instrument’s Tone. Many believe nitrocellulose finishes allow the wood to “breathe” more, potentially contributing to improved tonal characteristics. While subjective, this perception can be a significant factor for some players. Test the instrument to determine if its sound aligns with preferences.

Tip 5: Factor in Maintenance Requirements. Nitrocellulose is more susceptible to scratches and wear than modern finishes. Be prepared to exercise greater care in handling and cleaning the instrument. Specialized polishes formulated for nitrocellulose lacquer are recommended.

Tip 6: Consult Expert Opinions. Seek advice from experienced guitar technicians or luthiers. They can offer insights into the specific characteristics and potential issues associated with nitrocellulose finishes on various guitar models.

In summary, guitars finished with nitrocellulose lacquer offer a combination of aesthetic appeal, potential tonal benefits, and a connection to historical instrument-making techniques. Understanding the properties and maintenance requirements of this finish is crucial for ensuring a satisfying ownership experience.

The next section will delve into specific guitar models and brands that frequently utilize this classic finishing method.

1. Vintage Reissues

Vintage reissues represent a conscious effort by guitar manufacturers to recapture the aesthetics and playing experience of historically significant instruments. The choice of finish is a critical element in this endeavor, and nitrocellulose lacquer is often selected to authentically replicate the look, feel, and, potentially, the sound of the originals.

• Authenticity in Appearance

  The aged appearance of vintage guitars is a key component of their appeal. Nitrocellulose lacquer, unlike more modern finishes, ages and yellows over time and can develop fine cracks known as “checking.” Vintage reissues frequently utilize nitrocellulose to replicate these visual characteristics. Examples include Fender’s American Vintage series and Gibson’s Historic Reissue models, both aiming to mirror the aesthetics of their respective 1950s and 1960s counterparts.

• Replication of Tonal Characteristics

  While the impact of finish on tone is debated, many believe that the thinner nature of nitrocellulose allows the wood to resonate more freely compared to thicker polyurethane finishes. Manufacturers aiming for tonal accuracy in vintage reissues often opt for nitrocellulose based on this perception. Gibson Custom Shop models, for instance, frequently cite the use of nitrocellulose as contributing to the instrument’s vintage-correct sound.

• Historical Accuracy in Construction

  The use of nitrocellulose in vintage reissues extends beyond mere aesthetics; it reflects a commitment to historical accuracy in construction techniques. By employing the same finishing methods used in the past, manufacturers strive to recreate the overall experience of playing a vintage instrument. This dedication is evident in the detailed specifications of models such as the Fender Custom Shop Time Machine series, which emphasizes period-correct materials and processes.

• Market Demand and Collectibility

  The inclusion of nitrocellulose lacquer in vintage reissues is often driven by market demand from players and collectors seeking authentic recreations of iconic guitars. These instruments frequently command higher prices due to the perceived value of the finish and its contribution to the overall vintage experience. Limited-edition reissues featuring nitrocellulose finishes can become highly sought after, further solidifying the connection between finish type and instrument collectibility.

The use of nitrocellulose lacquer in vintage reissues is a multifaceted decision, balancing historical accuracy, tonal considerations, and market demand. Brands like Fender and Gibson demonstrate a clear understanding of the perceived value of nitrocellulose in replicating the aesthetics and playing experience of vintage instruments, influencing their product offerings and pricing strategies.

2. Custom Shop Models

Custom Shop models, offered by major guitar brands, represent a pathway to instruments finished with nitrocellulose lacquer. These specialized divisions within companies such as Fender and Gibson provide options not typically available in standard production models. The utilization of nitrocellulose in Custom Shop instruments stems from a desire to replicate vintage aesthetics and potentially influence tonal characteristics valued by discerning players. As a result, the Custom Shop becomes a significant component in understanding which brands offer guitars finished with this specific type of lacquer. These divisions often cater to customers who seek specific features, including period-correct finishes, which directly affects the availability of nitrocellulose-finished guitars.

The significance of Custom Shop models in relation to this finish lies in their ability to deviate from mass production standards. While a standard production line might prioritize cost-effectiveness through the use of polyurethane or polyester finishes, Custom Shops can accommodate the labor-intensive process and higher material costs associated with nitrocellulose. For example, Fender’s Custom Shop allows customers to specify nitrocellulose finishes on Stratocaster and Telecaster models, mimicking the finishes found on vintage instruments. Similarly, Gibson’s Custom Shop offers Les Pauls and other models with nitrocellulose finishes that are often considered more desirable by players seeking a vintage-correct feel and appearance.

The existence and prominence of Custom Shop models within major guitar brands significantly expand the availability of instruments finished with nitrocellulose lacquer. These divisions cater to a niche market willing to pay a premium for specific features, thereby justifying the use of this finish option. Understanding the role of Custom Shops is therefore crucial when determining which brands offer guitars with this type of finish. Although not all models from these brands will feature nitrocellulose, the Custom Shop ensures that this option remains available for customers seeking historically accurate or tonally specific instruments. Ultimately, brands like Fender and Gibson offer the finishing as a premium choice through these specialized arms of their company.

3. Gibson's Legacy

Gibson’s historical use of nitrocellulose lacquer represents a significant component when determining which brands utilize this finish. The company’s association with the lacquer extends back to the mid-20th century, becoming a defining characteristic of many of its most iconic models. This historical connection directly influences perceptions and expectations regarding the company’s current offerings. Consequently, Gibson’s continued, albeit sometimes selective, use of nitrocellulose reinforces its brand identity and resonates with players seeking instruments that emulate vintage specifications.

The influence of nitrocellulose on Gibson guitars goes beyond mere aesthetics. Many guitarists assert that this finish contributes to the instrument’s tonal properties, allowing the wood to “breathe” and resonate more freely compared to guitars finished with thicker, more modern alternatives. While this remains a topic of ongoing debate, the perception of tonal improvement has undoubtedly contributed to the lasting appeal of nitrocellulose finishes and, by extension, to the value placed on vintage and reissue Gibson instruments. Examples such as the Les Paul and SG models, historically finished with nitrocellulose, continue to be offered with this option, particularly within the Gibson Custom Shop, catering to players seeking a specific vintage-inspired tone and feel.

In summary, Gibson’s long-standing use of nitrocellulose lacquer has cemented its place in guitar-making history and continues to shape the company’s image. The decision to maintain this finishing technique, especially within its Custom Shop and on select historical reissue models, highlights Gibson’s awareness of the market demand for instruments that capture the essence of vintage guitars. This commitment, driven by both aesthetic and perceived tonal benefits, solidifies the connection between Gibson’s legacy and the ongoing presence of nitrocellulose finishes in the guitar industry.

4. Martin's Acoustics

C.F. Martin & Co., a distinguished name in acoustic guitar manufacturing, incorporates nitrocellulose lacquer into the finishing process of select models. This finishing choice connects Martin directly to the broader discussion of which guitar brands employ this specific type of lacquer, placing it among manufacturers who value the aesthetic and tonal properties traditionally associated with it.

• Historical Usage and Legacy

  Martin’s historical use of nitrocellulose lacquer on its acoustic guitars contributes significantly to its brand identity. This practice, dating back decades, has established an association between the finish and the brand’s reputation for quality craftsmanship. Examples such as the D-28 and D-45 models, historically finished with nitrocellulose, have solidified its place in Martin’s production processes. This historical precedent influences the company’s continued use of the lacquer on select models, reinforcing the connection between Martin and the traditional finishing method.

• Model-Specific Application

  The application of nitrocellulose lacquer within Martin’s product line is not universal; rather, it is typically reserved for specific models. Higher-end guitars, particularly those in the Standard Series and certain Custom Shop instruments, often receive nitrocellulose finishes. Conversely, more affordable models may utilize alternative finishes, such as catalyzed lacquer or polyester, to manage production costs. Examining Martin’s product catalog reveals a strategic approach to finish selection, aligning nitrocellulose with instruments intended for experienced players and collectors.

• Tonal Considerations

  Martin’s decision to use nitrocellulose on select acoustic guitars often reflects a belief in its impact on the instrument’s tonal properties. It is commonly asserted that the thinner nature of nitrocellulose allows the wood to vibrate more freely, resulting in enhanced resonance and projection. While this claim is subject to debate, it influences Martin’s choice to use this finish on guitars where tonal nuance is of paramount importance. The perception that nitrocellulose contributes to a superior acoustic tone remains a key factor in its continued use by Martin.

• Maintenance and Care

  Instruments finished with nitrocellulose lacquer require specific maintenance and care. The finish is more susceptible to scratches, dents, and chemical damage compared to more durable alternatives. Martin acknowledges these limitations and provides guidelines for the proper care of guitars finished with nitrocellulose. Owners must exercise caution when handling and cleaning these instruments, using only polishes specifically formulated for nitrocellulose finishes. Understanding these maintenance requirements is crucial for preserving the longevity and appearance of Martin guitars finished with this lacquer.

In conclusion, Martin’s utilization of nitrocellulose lacquer on its acoustic guitars is a deliberate choice that reflects a commitment to historical practices, tonal considerations, and quality craftsmanship. While not applied to all models, the presence of nitrocellulose on select instruments underscores its significance within Martin’s overall brand strategy and contributes to the company’s position among brands that offer guitars finished with this type of lacquer. The specific models and rationale behind this choice provides a valuable insight into the connection between finishing methods and instrument characteristics.

5. Boutique Builders

Boutique guitar builders represent a significant, albeit less widely known, component when considering brands offering instruments finished with nitrocellulose lacquer. These smaller-scale manufacturers often prioritize traditional construction methods and materials, including nitrocellulose, to achieve specific tonal and aesthetic qualities sought after by discerning players. The prevalence of nitrocellulose among boutique builders stems from a desire to differentiate their instruments from mass-produced alternatives, often emphasizing vintage-inspired designs and a meticulous attention to detail.

The connection between boutique builders and nitrocellulose lacquer is multifaceted. First, the finish aligns with the builders’ overall commitment to craftsmanship and quality, offering a perceived higher-end appeal. Second, many boutique builders focus on replicating vintage instruments, and nitrocellulose is a key element in achieving an authentic look and feel. Examples include builders specializing in recreations of classic Stratocasters, Telecasters, and Les Pauls, who often utilize nitrocellulose to match the original instruments’ finishes. Furthermore, these builders often customize their finishing process, using specific techniques to create unique aging effects or enhance the lacquer’s natural properties. This focus on individualization and quality distinguishes their products from those of larger manufacturers who prioritize efficiency and cost-effectiveness. Brands like Nash Guitars, Suhr (on some models), and LSL Instruments exemplify boutique builders known for their use of nitrocellulose finishes and vintage-inspired designs.

In summary, boutique builders contribute significantly to the ongoing availability and appreciation of guitars finished with nitrocellulose lacquer. Their emphasis on craftsmanship, vintage accuracy, and tonal nuance drives the demand for this finish, ensuring its continued presence in the guitar market. While larger brands often offer nitrocellulose finishes on select models or through custom shop divisions, boutique builders frequently make it a standard feature, solidifying the connection between their brand identity and the qualities associated with this traditional finishing method.

Frequently Asked Questions

The following questions address common inquiries regarding instruments finished with nitrocellulose lacquer. The answers provided aim to clarify misconceptions and offer insights into the characteristics of this finish type.

Question 1: Is nitrocellulose lacquer exclusive to vintage guitars?

No, nitrocellulose lacquer is not exclusive to vintage guitars. While historically prevalent, it is still used on new instruments, particularly vintage reissues, custom shop models, and guitars from select boutique builders.

Question 2: Does nitrocellulose lacquer inherently improve a guitar’s tone?

The impact of nitrocellulose lacquer on tone is a subject of debate. Many believe its thinner application allows the wood to resonate more freely, contributing to improved tonal qualities. However, empirical evidence supporting this claim remains inconclusive.

Question 3: Are all Gibson and Fender guitars finished with nitrocellulose lacquer?

No, not all Gibson and Fender guitars feature nitrocellulose lacquer finishes. While it is common on certain models, particularly vintage reissues and custom shop instruments, standard production models may utilize more durable, cost-effective alternatives.

Question 4: How does nitrocellulose lacquer differ from polyurethane?

Nitrocellulose lacquer is generally thinner and more brittle than polyurethane. It allows for a thinner finish, believed to contribute to tonal resonance, and ages differently, often developing “checking” patterns. Polyurethane is more durable and resistant to scratches and wear.

Question 5: What are the maintenance requirements for nitrocellulose lacquer?

Nitrocellulose lacquer requires more delicate handling and specialized cleaning products. Polishes specifically formulated for nitrocellulose finishes are recommended. Avoid exposing the finish to extreme temperatures or harsh chemicals.

Question 6: Is a nitrocellulose finish a reliable indicator of instrument quality?

While a nitrocellulose finish is often associated with higher-end instruments, it is not a definitive indicator of overall quality. Instrument quality depends on various factors, including the quality of the wood, construction techniques, and hardware components.

The utilization of nitrocellulose lacquer reflects a deliberate choice on the part of guitar manufacturers, influenced by historical precedent, tonal considerations, and market demand. Understanding the properties and maintenance requirements of this finish is crucial for appreciating its role in instrument construction.

The subsequent section will delve into the future trends related to guitar finishes.

Brands and Nitrocellulose

The preceding sections have explored the relationship between specific brands and their utilization of nitrocellulose lacquer. Manufacturers like Gibson, Fender (through its Custom Shop), and Martin, alongside a variety of boutique builders, demonstrate a continued, albeit selective, commitment to this traditional finishing method. Factors influencing this choice include historical precedent, perceived tonal benefits, and market demand for instruments that emulate vintage aesthetics. The prevalence of nitrocellulose varies across different brands and product lines, reflecting a balance between cost considerations, manufacturing processes, and targeted customer preferences.

The future of guitar finishing will likely involve a continued coexistence of nitrocellulose lacquer and more modern alternatives. While nitrocellulose offers distinct aesthetic and tonal qualities that resonate with many players, its susceptibility to wear and environmental regulations may present challenges. As a result, manufacturers will likely continue to offer nitrocellulose on select models, particularly those aimed at experienced players and collectors who appreciate the unique characteristics of this finish. The ongoing debate surrounding the impact of finish on tone, coupled with advancements in alternative finishing technologies, will shape the future landscape of guitar manufacturing and the availability of instruments finished with nitrocellulose lacquer. Continued research and development, alongside evolving consumer preferences, will ultimately determine the lasting significance of this traditional finishing method.